Associate RGDs receive grants to attend DesignThinkers 2026 in Vancouver

The RGD is pleased to announce the eight Associate RGD Member recipients of 2026 DesignThinkers Vancouver Development Grants

Each recipient receives registration to DesignThinkers Vancouver 2026 and $500 to help offset travel and accommodation costs. They will also be highlighed on the main stage screens during conference breaks.

This year’s grants were awarded with the support of sponsoring studios, whose selections reflect a shared commitment to nurturing emerging design talent across Canada. Thank you to this year’s Grant Sponsors: 123wBecoming Design Office, OK DAVEPendoPound & GrainPS&Co.Will and Rethink.

Below, we share the submitted work of our recipients:

Amanpreet Chana Associate RGD

Project: Club C

Sponsored by Pound & Grain

Club C is a conceptual support platform designed for adolescents and young adults diagnosed with cancer—a group whose needs are often underserved by resources built for an older audience. Rather than relying on clinical language or subdued visual systems, the platform embraces vibrant colour, humour and relatable language to create a sense of belonging for younger patients. The animated logo, inspired by cell division, functions as both a scientific metaphor and a flexible graphic element, while a saturated colour palette reclaims the muted tones of medical environments and transforms them into something more alive and empowering. Club C received an Honourable Mention in Advertising as part the 2025 RGD Student Awards.

Hannah Lord Associate RGD

Project: Torn

Sponsored by PS&Co

Torn is a three-part editorial series using discursive design to explore Maasai culture, history and the social challenges affecting women and girls. The series grew from a six-week design internship in Kenya, where Hannah worked with non-profit organizations and visited Maasai women’s villages, later developing the project through interviews, independent research and community participation. Each book takes a distinct visual approach, with the binding becoming progressively looser to mirror a child’s progression through harmful practices—and the second volume incorporates community-contributed drawings printed on vellum to create a translucent, haunting effect. Hand-drawn typography paired with infographics adds a sense of humanity to difficult data while supporting awareness, education and community-led change.

Jordan Richert Associate RGD

Project: Unity Brewing: Sustainable Non-Alcoholic Beer

Sponsored by Pendo

Unity Brewing is a conceptual brand identity and packaging system that repositions non-alcoholic beer as expressive, intentional and rooted in community. Research revealed that the majority of widely available non-alcoholic options in Canada are owned by the same multinational conglomerate, with packaging that largely mirrors alcoholic counterparts and offers little cultural differentiation—leaving a significant gap for a brand built on environmental responsibility and regional specificity. Illustration was chosen as the central medium to communicate warmth and social connectivity, with botanicals native to BC woven into scenes of everyday human connection. The final system spans four illustrated can designs, mixer packaging, merchandise and a beer festival truck, demonstrating how the identity scales across multiple touchpoints.

Jumanah Abualkhair Associate RGD

Project: Party in the Lanes Festival

Sponsored by Will

Party in the Lanes is a festival brand identity for the Downtown Brampton Business Improvement Area’s signature summer event, which features North America’s first inflatable flower art installation alongside live music, street performances and community activations. Centred on Brampton’s identity as Flower City, the identity uses hand-drawn linework and loosely sketched flower illustrations to capture a sense of vibrant, community-driven liveliness. A warm palette of yellows, reds and softer tones balances energy with approachability, while bold, playful typography reinforces the festival’s casual yet distinctive character. The campaign helped generate over 500,000 social media impressions and an estimated attendance of over 10,000 people across the three-day event.

Julia Do Alamo Associate RGD

Project: Revolution 12

Sponsored by Rethink

Revolution 12 is a thesis project from George Brown College proposing a subscription service that delivers one record, one book and one film each month, limited by design to encourage slower, more intentional engagement with physical media. The subscription box is structured to pace discovery, with each item concealed in its own sleeve to deepen the connection with each piece. A newspaper-style secondary deliverable, The Monthly Rev-iew, extends the experience with cultural commentary, reflection prompts and interactive elements that link all three items to a monthly theme. A 121-page process book documents the full project from research and strategy through to prototyping and branding.

Michelle Tieu Associate RGD

Project: The Lot Brand Identity

Sponsored by OK DAVE

The Lot is a conceptual brand identity for a community-centred organization with a mission to transform underused urban parking lots into vibrant, inclusive gathering spaces. The visual system includes a primary brand identity alongside three sub-identities for music, marketplace and creative events, each maintaining cohesion while allowing for distinct expression across different programming. Deliverables include posters, transit advertising, wayfinding, merchandise and social media assets, demonstrating how the brand extends across physical and digital applications. The tagline “the new public square” positions the brand as a champion for reclaiming overlooked urban spaces for community connection.

Sara Lee Associate RGD

Project: Bossa Jazz Fest

Sponsored by 123w

Bossa Jazz Fest is a brand identity for an annual music festival in Finland celebrating the intersection of bossa nova and jazz. The identity is built on a modular typographic system that translates three musical ideas—looped motif, syncopation and improvisation—into flexible visual structures. The festival name is broken into rectangular typographic blocks set on a strict grid, with repetition, off-beat shifts and subtle variation acting as visual analogues for musical ideas. The system adapts across tickets, social posts and merchandise at varying levels of abstraction, from clear informational applications to more expressive, pattern-driven compositions.

Solwhi Park Associate RGD

Project: VORA

Sponsored by Becoming Design Office

VORA is a personal portfolio project exploring the intersection of product design, branding and 3D visualization for a fictional performance footwear brand. The workflow combined Blender with graphic design software to develop a minimal, futuristic brand world, testing its visual language across a diverse range of outputs. Final deliverables include high-fidelity 3D product renders and shoe-box packaging, out-of-home advertising mockups and typographically driven web and mobile UI layouts, demonstrating how a cohesive brand identity scales across physical and digital touchpoints.

The applications for Development Grants for DesignThinkers 2026 in Toronto (Oct. 26–27) will open in July.

The 10 most popular DesignThinkers Podcast episodes

With 55 episodes released to date and over 40,000 downloads, the RGD podcast features thoughtful conversations with leading voices in design, creativity and leadership—all of whom have also took the stage at our DesignThinkers Conferences.

From reflections on career paths to practical insights into creative practice, these episodes continue to resonate with our community.

This list highlights the top five most downloaded episodes from Seasons 2 and 3 which features speakers from our 2025 DesignThinkers Conferences in Vancouver and Toronto along with our five most-listened to episodes from Season 1, spanning our 25 year history.

Adam JK

Embracing imperfection (Season 2)

Adam JK, a Toronto-born, Honolulu-based artist is known for his honest, humorous and emotionally-resonant work. In this conversation, Adam reflects on creative burnout, major life transitions and the challenge of finding purpose in an increasingly noisy world. He shares thoughtful insights on how making, doing and learning along the way can help creatives regain momentum and meaning.

Pali Palavathanan

Design as activism (Season 3)

In this episode, Pali Palavathanan explores design as a force for activism and change. Through his studio, Templo, Pali has collaborated with organizations such as the UN, Amnesty International and grassroots groups working toward social justice.

Drawing from his lived experience as a refugee, Pali discusses how values shape his studio’s approach, how to navigate projects with high ethical stakes and how to balance purpose-driven work with commercial realities. This episode offers a compelling perspective on responsibility, instinct and the real-world impact of design.

Members will be able to watch Pali’s DesignThinkers 2026 presentations in the new year. (All attendees have access until then through Pheedloop.)

Meg Lewis

Leveraging your quirks (Season 2)

Artist, performer and educator Meg Lewis brings joy, colour and energy to this conversation on embracing individuality. Known for her bold, playful work with brands such as Dropbox, Meta and Pinterest, Meg blends design with performance, improv and storytelling.

This episode feels like a creative pep talk, exploring how leaning into your quirks can help attract the right clients, build sustainable careers and show up more authentically. It’s a reminder that joy and play can be powerful strategic tools.

Members can watch DesignThinkers presentations by Meg Lewis:

Eva Cremers

Finding your own way (Season 2)

Eva Cremers, a 3D artist and animation director based in the Netherlands, shares her unconventional path into motion and CGI. Blending a graphic design sensibility with vibrant, playful 3D worlds, Eva has worked with global brands including Apple, Amazon Music, Meta and Samsung.

The conversation explores how constraints helped shape her signature style, the excitement of creative discovery and her experimentation with generative AI—including training a model on her own work. Honest, curious and refreshingly candid, this episode dives into the heart of creative exploration.

Members can watch Eva’s presentation from DesignThinkers 2025 in Vancouver:

Rachel Gogel

Redefining a creative career (Season 3)

Independent creative executive Rachel Gogel discusses designing a career beyond traditional full-time roles. After leading multidisciplinary teams at organizations such as GQThe New York Times, Meta and Godfrey Dadich, Rachel launched her own consultancy, working with both major tech companies and purpose-driven ventures.

This episode explores fractional leadership, negotiating value, leading without hierarchy and creating space for queer and marginalized voices. Rachel’s perspective offers clarity and encouragement for designers rethinking success, sustainability and leadership on their own terms.

Members will be able to watch Rachel’s DesignThinkers 2026 presentations in the new year. (All attendees have access until then through Pheedloop.)

Another presentation by Rachel for the RGD, from our Creative Directions Conference in 2021 is available:

Whether you’re revisiting a favourite episode or discovering these conversations for the first time, these podcasts offer timeless insight and inspiration for designers at every stage of their careers.

Listen to the RGD Podcast and explore all episodes here.

DesignThinkers 2026 branding by Daughter revealed

“We hope that 2026 DesignThinkers attendees feel permission to play and are inspired to close their laptop, pick up a pen, go for a walk or tear something up and start again. “Out of Office” is about the joy of process, rediscovering creativity in its raw, physical form and reconnecting with the community that fuels it. It is a reminder that inspiration often lives just outside your inbox.” — Holly Gallacher RGD

Daughter Creative joins the notable group of firms that have taken on the conference branding over its 26-year history.

Canada’s largest conference for the communication design industry, DesignThinkers gathers visionaries from a variety of disciplines to explore creativity, the design process and the future of design thinking.

DesignThinkers 2026 will be held at the Vancouver Playhouse on May 26-27 and Toronto tentatively scheduled for Oct 20-21, both with options for live-streaming.

The 2026 DesignThinkers identity is built around “Out of Office.” The design reflects a kind of making that is driven by curiosity, observation and the physical act of creating, not limited by software or digital tools.

Built from found materials, textures and type fragments, the system feels imperfect, analog and intentionally human. It reminds us that design is not just what we make, but how we see.

The conference itself is about connection—leaving behind screens and schedules to gather with people who see the world through the same creative lens. “Out of Office” celebrates the spark that happens when you step away from your desk and back into conversation.

The team at Daughter shared their excitement in seeing the idea come alive as speakers, attendees and partners interpret and extend it. “Out of Office” was never meant to be a closed system—it is a creative invitation.

When asked about unexpected outcomes in the development of the identity, the team reflected on the value of getting hands-on again.

“We were reminded how energizing it is to get messy again. In a digital-first world, returning to tactile making, scanning, tearing, photographing and printing rekindled the curiosity that got us into design in the first place. The process itself became the proof of the idea: new energy appears when you step away from routine tools and rediscover the joy of making.”Holly Gallacher RGD

The team also highlighted their love for how the textures carry the story. Many assets were built from materials gathered on real walks — torn posters, scribbled notes and bits of print ephemera. When scanned, layered and recomposed, they form a visual language that feels both spontaneous and intentional.

It serves as a reminder that inspiration is everywhere: in the grit of the city, the paper under your hand or in the moment you finally step outside.

Holly Gallacher RGD, Daughter Creative

Holly is an award-winning designer with over a decade of experience transforming imaginative concepts into creative and unexpected outcomes. Now a Creative Director, and previously holding the role of Senior Designer at Nike. Specialising in Visual Identity, Apparel Graphics, Digital, Print and Packaging. Holly’s innovative work can be seen around the globe, and has been featured in British Vogue, Elle, Forbes, New York Times and GQ magazine.

Step into the world of type design with Eleni Beveratou

“We don’t limit ourselves to just ten colours or images across all our projects, so why restrict our typographic choices?” — Eleni Beveratou

Eleni Beveratou is a type designer and Creative Director at Dalton Maag. Ahead of her typography workshops this year, we asked her a few questions about how she got into type design, what attendees can expect to learn during her sessions and what she’s most excited about in the world of typography at the moment.

We’re so excited to be hosting your typography workshops again this year! Can you tell us a bit about yourself, and your teaching style? 

My name is Eleni Beveratou, and I’m a Creative Director at Dalton Maag, a London-based typeface design studio. I’m originally from Greece, where I studied and later worked at a branding agency. Early in my career, I realized that understanding type was crucial to becoming a better graphic designer. I joined the Master’s programme at the University of Reading, expecting to spend just one year studying type before returning to graphic design. Instead, I fell in love with typography and have dedicated my career to it for the past fifteen years.

When I first started working with type, I found the terminology quite rigid and somewhat elitist. That experience has shaped my teaching approach: I prioritize approachability, focusing less on specialized vocabulary and more on practical insights, helping designers integrate type effectively into their everyday work.

You’re leading workshop days in Halifax, Montreal, Ottawa and Toronto. One workshop is focused on wordmarks, and the other on cultural nuances in typography. What made you choose to teach these topics? 

I always try to choose workshop topics that participants can immediately apply to their projects. While it’s unrealistic to teach typeface design from scratch in three hours, we can explore practical techniques for using type effectively in graphic design.

I chose these two topics because I feel they’re especially relevant to the design community in Canada. Creating wordmarks is a fundamental part of brand identity that graphic designers will regularly encounter. So I believe it’s essential knowledge to have.

The second workshop on cultural nuances in typography feels particularly relevant to Canadian designers, who often work in at least two languages. From my past visits, I noticed that many studios undertake international projects involving diverse writing systems. Addressing these cultural considerations feels both timely and essential.

Is there anything you wish more design professionals understood about typeface design, or typeface selection? 

I wish designers felt more confident using a broader range of typefaces. I often hear professionals say they stick to the same ten fonts, which always puzzles me. We don’t limit ourselves to just ten colours or images across all our projects, so why restrict our typographic choices? Often, this hesitation stems from licensing concerns, uncertainty about typographic hierarchy, or the complexity of evaluating new fonts. My goal is to help demystify these barriers through these workshops.

What are you most excited about in the world of type design right now? 

I’m thrilled to see the growing adoption of Variable Font technology, which is expanding creative possibilities and significantly improving digital typography. For a long time, digital type was viewed as simply functional, limiting its potential.

Given my Greek heritage, I’m also particularly excited that these innovations are extending beyond the Latin writing system. It’s encouraging to see meaningful conversations and developments happening globally, finally addressing typographic diversity in a more inclusive way.

We’re going to Creative Director boot camp with Dominic Prevost

A good CD is able to riff on a given idea and help make it better–whether it’s by asking really pointed questions, building up on the idea, shifting the focus, ensuring the needs of the brief are met, etc.

Dominic Prevost is Group Creative Director at Resonance. Ahead of his workshop on becoming a stronger creative director, we asked him a few questions about why a workshop like this is so valuable, what qualities make a great CD and more.

We’re excited to have you back at DesignThinkers in Vancouver to lead another workshop! This year’s is all about acquiring the skills needed to become a creative director. What made you want to do a deep dive on this topic?

True story: I spent the bulk of the DesignThinkers Toronto delegate party interviewing attendees and asking them point-blank: “What kind of topic would you want covered?” From students to seniors, and even recruiters, one topic rose to the surface: how to prep creatives on what being a CD really is.

Why? In design & ad school, they’ll teach you to be a good creative, and you’ll polish those skills as you climb the ranks, until you become a CD and 80% of what you’ve learned doesn’t apply anymore. I can’t think of any other job that does that. The purpose of my workshop is to get aspiring CDs ready for the big transition – even if it comes years down the line–and get a taste of the realities of being a creative leader. Spoiler alert: it’s about so much more than making good creative work.

As a design educator yourself, what do you think is missing from current design and ad programs that would help designers make the eventual transition to more senior leadership roles?

I’d put even more emphasis on active listening, and critiquing/elevating the work of fellow students. A good CD is able to riff on a given idea and help make it better–whether it’s by asking really pointed questions, building up on the idea, shifting the focus, ensuring the needs of the brief are met, etc. A student who is able to listen, analyse then give feedback that adds value to any project in the classroom will get a huge advantage in the workplace. The same goes for receiving feedback too.

Can you share about an experience that shaped your understanding of what it means to be a great creative director? Whether it was when you were a junior staff, or now as a CD.

Being a CD is about more than managing the creative output of an organization. My big ‘ah-ha’ moment came when I realized I couldn’t turn to my leaders to deal with issues: it was up to me to lead the team towards change. It takes a strong vision, a lot of stamina and patience to stay the course and earn/maintain the team’s trust. I wear many hats as a CD, from janitor, to gatekeeper, to teacher, to therapist, to cheerleader–whatever my team needs me to be to thrive.

What is a skill that sets a good creative director apart from a great one?

To me, it’s an even split between stamina and curiosity. Stamina because meaningful change takes time, hiring the perfect team and unlocking their potential takes time, building a strong relationship with a client takes time, changing the culture of an organization takes time and–most importantly–finding your groove as a leader takes time. Curiosity because our industry is constantly changing, and the best creative solutions aren’t always found by endlessly scrolling Instagram, LinkedIn, Pinterest or Reddit. We have to stay open and curious to the world, soak everything in: books, music, news, nature, a random podcast about economics… everything has the power to inspire… even that weird doodle you did while FaceTiming your mom might lead you to something amazing.

You’ve noted that this workshop is suitable for current and aspiring creative directors. What can attendees expect from this session? Give us your best pitch for why attendees should join you!

Without spoiling anything, what I can promise is a fast-paced, hands-on workshop that’ll put you in the driver’s seat from slide three. You’ll learn to embrace discomfort, own your decisions (I’ve designed a ‘choose your own adventure’ game with some choice dilemmas for you to tackle), craft a vision for your team, then I’ll top it up with 7 lessons I learned the hard way so you don’t have to. I’m super excited for this workshop, and incredibly grateful for all my beta testers (from students, coworkers, to working CDs) who helped make it as good as can be. See you all in May!

Sign up for Dominic’s workshop, Creative Direction Clinic, happening May 13 at 3:15 p.m., when you register for the conference, or through the attendee portal.

10 emerging designers attend DesignThinkers Vancouver free

With the support of our sponsors, the RGD has awarded 10 cash scholarships and free registration to emerging designers to attend DesignThinkers Vancouver this May 13-14.

Student RGDs and Associate RGDs were invited to submit a 30-second to 1-minute video expressing their enthusiasm for DesignThinkers Vancouver and why they wished to attend the conference.

Each of our sponsors selected a winner and provided $500 to help cover costs to attend.

Thank you to this year’s DesignThinkers Vancouver Scholarship Sponsors: Becoming Design Office, CT Studio, OK DAVE, One23West, Pendo, PS&Co., Pound & Grain, Resonance, Rethink and Will.

Below, we share their winning work.

Emily Norris-Jones Student RGD

Sponsor: CT Studio


Jerry Kambashi Student RGD

Sponsor: OK Dave


Kara Barnett Student RGD

Sponsor: Becoming Design Office


Kristi Zuo Associate RGD

Sponsor: Pendo


Linden Wheeler Student RGD

Sponsor: One23West


Mia Antinori Student RGD

Sponsor: Will


Priya Shukle Student RGD

Sponsor: PS&Co


Rachel Xu Associate RGD

Sponsor: Resonance


Richard Lau Student RGD

Sponsor: Rethink


Sid Watson Associate RGD

Sponsor: Pound & Grain


The Scholarship program for DesignThinkers 2025 in Toronto will be announced in August.

If you would like to find out more about becoming a sponsor, email [email protected].

Roundtable topics at DesignThinkers in Vancouver

Roundtables are your chance to connect with other creatives in a small group setting. Led by senior design professionals, roundtables are being hosted on both conferences days from 8:15 a.m. to 9:15 a.m. and 12:00 p.m. to 1:00 p.m.

Bring your questions, offer advice and participate in conversations that will leave you feeling engaged and energized.

Sign up for roundtables when you register for the conference. Roundtables are $10 each unless otherwise noted as free or $5 (students only).

May 13

8:15 a.m. – 9:15 a.m.

  • Design education: Nurturing an abundance of wonder
    The role of the designer has evolved to encompass a wide range of skills, from print and UI/UX design to social media and content creation. This raises the question of how the next generation can develop all these skills before entering the workforce. To address this, educational institutions are partnering with industry professionals to teach the most relevant skills. As design education adapts, there’s an increasing emphasis on adaptability, tech knowledge and business acumen to meet the growing demands of the design industry.
    Moderator: Vida Jurcic RGD
  • Improving your leadership skills
    We will discuss how to inspire creativity, foster collaboration and effectively communicate to maximize your team’s potential. You’ll gain insights into strategies and tools for enhancing your leadership skills, as well as learn how to serve as the foundation and support of your team, fostering unity and facilitating growth.
    Moderator: Jon Sanson RGD
  • Colouring inside the lines: Fostering creativity within the confines of a brand
    The same branding, same colours, same style day in and out. It can get pretty boring. How do we as creatives foster that creative itch and stay motivated while adhering to our often strict brand guidelines? Join us to discuss techniques for pushing the brand envelope, trying out new, potentially radical ideas, all while still staying brand faithful.
    Moderator: Natasha Rutledge RGD
  • Imposter syndrome who? Gaining confidence in your skills and abilities
    Let’s talk about some of the situations we’ve faced and share strategies you can pull from your back pocket when those negative feelings bubble up in the future.
    Moderator: Diana Varma RGD
  • The need for speed: Addressing time constraints within the design process
    In competitive markets, the need for speed in all areas of business is increasing. In response to the ever-increasing need for speed, how can designers develop creative solutions and contribute to business success, while staying true to effective design processes and maintaining a healthy work-life balance? What role can AI play in a designer’s efficiency? What processes and strategies contribute to cross-disciplinary collaboration and integration? Join us as we discuss the need for efficiency without sacrificing the quality of your designs or your mental health.
    Moderator: Sarah Prouse RGD
  • Challenges of working in a non-creative environment
    In this discussion, we may explore how to balance maintaining your creative integrity as a graphic designer while meeting the rigid demands of a corporate work environment. We’ll also talk about strategies for effectively communicating the value of design thinking and creative solutions to colleagues or leadership who may not have a design background. Additionally, we’ll share ways to inject fresh ideas into your work while staying within the constraints of strict brand guidelines and established design conventions.
    Moderator: Diana Castaneda RGD
  • AMA: Getting involved with the RGD [Free]
    Join the RGD’s Executive Director to learn more about the RGD, the largest professional association for graphic designers in Canada! She’ll answer questions about the benefits, tools, educational and networking opportunities. We’ll also discuss what’s missing and what you wish the RGD was offering. This is a low-pressure, casual way to find out how to get involved and connect with others in your community.
    Moderator: Hilary Ashworth

May 13

12:00 p.m. – 1:00 p.m.

  • The future of product and branding
    This discussion will analyze the key technological, ethical and digital trends shaping branding today, including AI-driven branding, sustainability and the rise of digital-first brand experiences. We’ll explore how brands are adapting to new platforms like the metaverse, NFTs and social commerce, while also considering the impact of evolving consumer behaviours on brand strategy and product innovation.
    Moderator: Anahit Lou
  • The business of design: Aligning design practices with business mindsets
    It can often be challenging for designers to balance our creative visions with successful business outcomes. Whether it be for our clients, who would like to understand the ROI behind every project, or for ourselves, focusing on setting up our own businesses to be financially viable, there is a constant struggle between left and right brain. Let’s chat about how we can combine the best of both worlds.
    Moderator: Dave Dick RGD
  • Beautiful, creative + accessible: Strategies for accessible design
    Join this discussion focused on key questions about accessibility, such as when and how to consider it when launching a project, advice or insights that have changed your perspective on accessibility, and your favourite tools for streamlining accessibility in your projects or organization.
    Moderator: Mairin Deery RGD
  • The value of Certification [Free]
    Certification has both internal and external value, in any profession. For designers, it’s about the accomplishment and the internal feeling of pride. But it’s also about the external credibility it provides for clients and employers. Join the RGD’s Executive Director as she outlines the RGD’s Certification process and answers your questions about the process, the value of the experience and the benefits of RGD Membership throughout your career. We promise it’s not as scary as you think.
    Moderator: Hilary Ashworth
  • Designing Differently: Embracing neurodiversity in creative work
    Being neurodivergent in the design world comes with both its unique challenges and extraordinary strengths. In this roundtable, we’ll explore how our brains work differently—and how that difference can be a superpower in creative problem-solving. Let’s discuss self-advocacy, our value as designers, strengths, accommodations, and what a truly inclusive design culture could look like. Whether you identify as neurodivergent or want to support ND coworkers, this is a space for honest conversation and collective insight.
    Moderator: Daniel Asel RGD

May 14

8:15 a.m. – 9:15 a.m.

  • Work smarter, not harder: Strategies for creating great work, efficiently
    Designers do what they do best: design. By reducing administrative and mundane tasks, designers can focus on the project at hand. But how best to do this? Join this session to discuss techniques and processes to help.
    Moderator: Jon Sanson RGD
  • Colouring inside the lines: Fostering creativity within the confines of a brand
    The same branding, same colours, same style day in and out. It can get pretty boring. How do we as creatives foster that creative itch and stay motivated while adhering to our often strict brand guidelines? Join us to discuss techniques for pushing the brand envelope, trying out new, potentially radical ideas, all while still staying brand faithful.
    Moderator: Natasha Rutledge RGD
  • Comic Sans, you suck: Sharing your best stories of inappropriate font usage
    Get ready for a deep dive into the world of “bad” fonts! Join us as we explore what makes a font choice cringeworthy, debate whether Comic Sans deserves its infamous reputation and uncover why people love the fonts we love to hate. Expect spirited discussions and a few design horror stories! (p.s. We ARE hating on the same fonts, right?)
    Moderator: Diana Varma RGD
  • The need for speed: Addressing time constraints within the design process
    In competitive markets, the need for speed in all areas of business has been increasing all the time. In response to the ever-increasing need for speed, how can designers develop creative solutions and contribute to business success, while staying true to effective design processes and maintaining a healthy work-life balance? What role can AI play in a designer’s efficiency? What processes and strategies contribute to cross-disciplinary collaboration and integration? Join us as we discuss the need for efficiency without sacrificing the quality of your designs or your mental health.
    Moderator: Sarah Prouse RGD
  • The value of Certification [Free]
    Certification has both internal and external value, in any profession. For designers, it’s about the accomplishment and the internal feeling of pride. But it’s also about the external credibility it provides for clients and employers. Join the RGD’s Executive Director as she outlines the RGD’s Certification process and answers your questions about the process, the value of the experience and the benefits of RGD Membership throughout your career. We promise it’s not as scary as you think.
    Moderator: Hilary Ashworth
  • Beyond the logo: Aligning emotional brand identity with visual design
    Branding often conjures images of logos and colour palettes, yet its essence delves much deeper. For designers, the challenge lies in transcending visual elements to encapsulate a brand’s core promise and emotional resonance. In this engaging roundtable, we’ll explore the multifaceted nature of branding, discussing strategies to harmonize a company’s emotional brand identity with its visual representation. Join us for a conversation that aims to shift perspectives and bridge the gap between a brand’s internal ethos and its external design.
    Moderator: Jason Dauphinee RGD
  • Me, myself and I: Succeeding as a solo practitioner
    There is no blueprint to working for yourself. Let’s discuss the successes we’ve accomplished and failures we’ve endured, so we can all learn from each other and grow our businesses.
    Moderator: Eva Cremers
  • From concept to completion: Managing design projects in-house
    Dive into the different aspects of project intake systems and project management processes within in-house design environments. Share strategies, best practices and key challenges for navigating design projects efficiently and effectively. Benefit from group insights to optimize your workflow and elevate project outcomes.
    Moderator: Diana Castaneda RGD
  • Improving your leadership skills
    We will discuss how to inspire creativity, foster collaboration and effectively communicate to maximize your team’s potential. You’ll gain insights into strategies and tools for enhancing your leadership skills, as well as learn how to serve as the foundation and support of your team, fostering unity and facilitating growth.
    Moderator: Janet Kestin

May 14

12:00 p.m. – 1:00 p.m.

  • Students only: Embrace your design identity + build your creative confidence [$5]
    Confidence is key to becoming a successful designer, but how do you garner confidence in a world of criticism and imposter syndrome? Join us to discuss simple tips and tricks to build creative confidence that will help you navigate your early career as a student and designer.
    Moderator: Dave Dick RGD
  • Future-proofing your design career: Skills for the next decade
    As technology advances and consumer preferences shift, adaptability emerges as a critical trait for designers. We delve into the importance of mastering not only the latest design software and tools, but also fostering a deep understanding of UX and UI design principles. Our conversation will touch on the rising significance of ethical and sustainable design practices, emphasizing the role designers play in addressing global challenges. Join us to gain insights into how to navigate the dynamic design industry and ensure your career remains future-proof.
    Moderator: Mairin Deery RGD
  • We are all brand ambassadors: Getting your organization on board
    How many times have you heard “I’m tired of those colours, that style or that branding element”? If you’ve been working with the same stakeholders for a while, then probably more than once. Or how about people who don’t like your organization’s rebrand? Join us for a discussion on turning naysayers into brand ambassadors.
    Moderator: Melanie Carter RGD
  • AMA: Getting involved with the RGD [Free]
    Join the RGD’s Executive Director to learn more about the RGD, the largest professional association for graphic designers in Canada! She’ll answer questions about the benefits, tools, educational and networking opportunities. We’ll also discuss what’s missing and what you wish the RGD was offering. This is a low-pressure, casual way to find out how to get involved and connect with others in your community.
    Moderator: Hilary Ashworth
  • Tell a stronger story: Strategies for effective communication and presentations
    In this discussion, we will explore communication and presentation techniques designed to captivate your audience’s attention. You’ll discover how to refine your storytelling skills and effectively integrate data, anecdotes, and visuals to convey your message with greater impact. We’ll also share valuable insights and best practices to help you become a more persuasive and engaging communicator.
    Moderator: Valentina D’Efilippo

Ask to attend DesignThinkers with our templates

Now’s the time to ask your employer for the time off (and ticket) to attend the conference.

Make things easier by using our request to attend template letters.

[Closed] How to attend for free

Student RGDs and Associate RGDs are invited to apply for one of 10 DesignThinkers Scholarships providing receive free attendance to DesignThinkers Vancouver taking place May 13 and 14 at the Vancouver Playhouse. Ten scholarship packages also include $500 cash!

How to apply

To apply, submit a 30-second to 1-minute video expressing your enthusiasm for DesignThinkers and why you wish to attend.

Criteria

Applicants will be judged on their creativity and passion.

Deadline

11:59 pm PT on Friday, March 14, 2025

These scholarships are generously provided by 123w, Becoming Design Office, CT Studio, OK DAVE, Pendo, PS&Co, Pound & Grain, Resonance, Rethink and Will.

Submit your video here.

Registration opens for Vancouver 2025

DesignThinkers is coming back to Vancouver on May 13 and 14, 2025. Join us for two days of presentations, workshops and networking opportunities. Register here.

Confirmed speakers include:
Eva Cremers, Dutch 3D illustrator and animator
Valentina D’Efilippo, information designer
Carlos Segura, book/type designer
Erin Sarofsky, film titles designer
Matt Luckhurst, marketing designer
Vincent Wanga, Executive Creative Consultant, Author of “The Art of Direction”
Catalina Estrada, illustrator and pattern designer

This year’s manifesto

Design is a force. One that shapes how we see the world. With every choice, we hold the power to break barriers, challenge convention and shift perspectives. But not if we don’t question our own.

We’re here to give the industry a perception interception. And unlock potential through perspective. Because if you’re stuck in the same ways of seeing — you might be missing out.

Through always moving, morphing, adapting and evolving, we’re not just embracing shift in our industry, we’re here to shape it. Welcome to DesignThinkers 2025. Shift is about to go down.